历代帝王容貌复原

简介：

　　Netflix原创纪录片。
　　通过访问幸存者、神职人员、记者和其他专家，检视西班牙天主教机构被控性侵儿童的内情。

简介：

星期四 20点更1

《老广的味道》第九季继续坚持上山下海，呈现地道广味。通过现场纪录广东农民、渔民的耕作及捕捞，贴地气，传播劳动者的正能量。用独特的纪录片视听语言，突显华侨、广府、客家、潮汕等岭南地方特色，展现岭南农业文化和海洋文化，弘扬广东人务实、开放、兼容、创新的精神。

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讲述Selma Blair确诊多发性硬化症后如何适应新的生活方式

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　　跟着想像力丰富的Julie回到三叠纪、侏罗纪和白垩纪时期，发掘惊人的海底世界，一起看看力量强大的巨型滑齿龙、长颈的薄板龙和巨大的秀尼鱼龙如何在恐龙统治地球之前称霸海底王国。
　　Through the power of IMAX 3D, experience a wondrous adventure from the dinosaur age. Join Julie, an imaginative young woman, in a unique voyage through time and space. Explore an amazing underwater universe inhabited by larger-than-life creatures which were ruling the seas before dinosaurs conquered the earth. See science come alive in an entertaining manner and get ready for a face-to-face encounter with the T-Rex of the seas!

简介：

此幕後花絮帶人一窺全球攝影團隊如何上山下海、走入冰天雪地，以拍攝出此紀錄片系列中令人耳目一新的夜間影像。

简介：

以2023年辛芷蕾第三十场出演独角戏话剧《初步举证》为倒计时，记录辛芷蕾为了准备话剧投入排练的一个月时间并最终登上舞台的各种事件，并穿插了不少话剧排练彩排片段等。在舞台上这是话剧角色泰莎面对困境如何为自我发声和自我成长；在舞台下和排练厅里，辛芷蕾不单完成了自己一个影视演员到一个舞台剧演员的转变，更是在排演话剧的过程中完成了对自我的挑战、成长和认可。 这不单单是一个女演员走出舒适区，实现自我成长的故事，更是一个普通女性在面对困难如何挑战和突破的故事，更是给予观众启发，在遇到困境或是自己最害怕的事的时候是选择逃避？还是直面困境的应对、勇敢为自己发声。

简介：

　　Chapman and Maclain Way’s energetic telling of one of baseball’s great, unheralded stories is as much about independent spirit as it is about the game. When Portland, Oregon, lost its longtime minor-league affiliate, Bing Russell—who briefly played ball professionally before enjoying a successful Hollywood acting career—bought the territory and formed a single-A team to operate outside the confines of major-league baseball. When they took the field in 1973, the Mavericks—the only independent team in America—started with two strikes against them. What did Deputy Clem from Bonanza know about baseball? Or Portland, for that matter? The only thing uniting his players, recruited at open tryouts, was that no other team wanted them. Skeptics agreed that it could never work.
　　But Bing understood a ballplayer’s dreams, and he understood an audience. His quirky, unkempt castoffs won games, and they won fans, shattering minor-league attendance records. Their spirit was contagious, and during their short reign, the Mavericks—a restaurant owner turned manager, left-handed catcher, and blackballed pitcher among them—brought independence back to baseball and embodied what it was all about: the love of the game.
　　- J.N.

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　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

简介：

一事無成，沒有朋友的停車場夜間保全志明，意外在海邊拯救了原想自殺的青年阿堯。受到志明的善意感召，阿堯決定暫緩自己的死亡，用生命的最後半天，幫志明完成他的心願。為了紀念死者，也為了撫慰生者，導演透過電影輕輕揮手，告別沒來得及說再見的離世友人。

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揭露墨西哥司法黑幕的纪录片：和渣男同居生子的14岁女孩突然失踪，女孩母亲苦苦追寻。最终渣男承认杀妻，但法庭竟然判无罪；母亲寻求社会支持，二审法院改判有罪但渣男已潜逃且加入贩毒集团。无法抓住渣男的母亲，只有在州政府外面居住抗议，某夜母亲被凶手当众杀害，替罪羊被抓住定罪。渣男最后死于帮派的枪战中。 　　母亲的三重死亡应该是指：女儿的死亡（哭死）、一审无罪的判决（心死）、被枪杀于州政府门口（身死）。

简介：

以独特视角让“九层妖塔”传说碰撞真实考古。娱乐圈“打工人”化身探秘者，以“任务线”为引，融合幽默表达与严谨科普，借AI动画、航拍等多元视觉，唤醒青海吐谷浑“消失王国”的千年文明。