葉韋彤(Krystal)繼第一輯《K小姐懶人包》後,再次充當旅遊KOL,帶觀眾遊走韓國各地,尋找不一樣的首爾之餘,還發掘首爾以外的有潛力好去處。在十集節目中,她會用最有限的時間,數盡最豐富的「懶人包」資訊,不管是「貼地」或「離地」,都一一送上。 想知道韓國「獨玩獨食」好去處及韓青新蒲點、一睹世界文化遺產的醉人風光、感受不一樣的Cafe Tour、體驗膽量極限大挑戰、極上美食特搜、認識不醉無歸的喝酒文化等,就要緊貼《K小姐懶人包》!
大型文化纪实纪录片。该片从长江源头出发,以江河为经,以文物为纬,深入探寻羌藏、滇黔、巴蜀、荆楚、湖湘、赣皖、吴越七大文化区域的内在特质,选取典型性文物展开叙事,以赋江、源启、理水、合脉、涌新、润稻、流韵、引航八集篇幅,带领观众领略“母亲河”长江的浩荡壮阔与文化绵延。
《掩盖真相》是一部政治惊悚片,追溯了普利策奖获奖调查记者西摩·赫什充满冲击力的职业生涯。影片节奏紧迫且报道深入,既勾勒出一位执着记者的形象,也对机构性暴力提出控诉——揭露了美国军方与情报机构中不受惩罚的循环。 凭借独家获取的赫什的笔记,交织着原始文件与档案影像,《掩盖真相》展现了调查性新闻的力量与运作过程。
一位人权活动家返回英国时,其电子设备被边境当局没收,这凸显了一个令人不安的国家监控计划。穆罕默德·拉巴尼是人权组织CAGE的负责人,该组织致力于在所谓的“反恐战争”中打击歧视。他周游世界,受弱势群体信任,掌握着高度敏感的个人信息。有一次,他从海外旅行返回英国时,在边境被拦下,并被威胁如果不交出电子设备的密码就会被监禁。他拒绝了。《幻影鹦鹉》揭露了一种隐蔽的监控形式,涉及科技行业、警方和安全部门之间的合作。影片由从事相关技术工作的人员提供见解,对于任何关心数字时代公民自由的人来说,都是一部必看的影片。
RobertDowney,Jr.givesreportsandinterviewswithotherstarsinthisdocumentaryabouttheDemocraticNationalConventionin1992.
作为丹尼尔·雷德克里夫在《哈利·波特》系列电影中的替身演员,大卫·赫尔姆斯的表演已被全世界数百万人观看。但不幸的是,一场现场事故使他瘫痪并只能坐在轮椅上。
Pipe Dreams follows five organists as they compete in Canada’s International Organ Competition (CIOC). Who will master the ‘king of instruments’ and come out victorious in Montreal
威斯康星州乡村一位忠于家庭的男人,放弃了20年事业带来的稳定,投身于兴衰更替的弹球制造业,追寻自己的梦想。为了打入竞争激烈的市场,打造一家蒸蒸日上的企业,他必须克服初创企业必然会遇到的坎坷,同时又不让家人陷入经济危机。
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
《血战太平洋》系列纪录片以史诗笔触全景再现二战太平洋战场的关键战役。塞班岛日军 “万岁冲锋” 的血色沙滩、冲绳岛神风特攻的死亡火网、麦克阿瑟莱特岛登陆的泥泞足迹,勾勒出战争的残酷与荣耀。纪录片以战术与战略双视角解析:珊瑚海海战靠密码破译扭转战局,马里亚纳空战展现美日海空力量悬殊,“断腿行动” 精密还原山本五十六座机被击落的斩首瞬间。瓜岛丛林的疟疾与渗透战、中途岛航母编队的 15 分钟决胜、莱特湾神风特攻的樱花诀别书,均被细致呈现。从航母甲板弹痕到雷达波纹,从胜利荣耀到燃烧弹光,纪录片在还原硝烟的同时,亦叩问战争对文明的撕裂,带观众穿越历史长河,见证那场勇气与智慧的极限考验。
这部带领观众一探究竟的纪录片系列,深入探索王牌制作人杰尼斯旗下日本顶尖偶像男团的美丽世界。
《进化:与时代同行》是一部探讨社会和时代变迁的财经纪录片。财经作家吴晓波由一个具象物体、一类奇妙现象、一种新生文化入手,在历史纵深上寻找尺度,见微知著的探索、发现中国人和中国社会发生的变化。 影片共6集,从鞋、房屋、书、猫、宝妈、工具6个切入点深入,从他们身上看到量变和质变的过程,寻找从迭代到进化的背景和土壤。籍此,我们呈现中国人喜欢什么,选择什么,发现从零到一,我们在创造什么。 最终,我们用进化的方式,储存热爱。
全片共五集,以年轻人为代表的当代西藏各族群众所折射出的精神特质进行分集,分别从“成长”、“新风”、“逐梦”、“守护”、“求索”为切面,记录下西藏当代年轻人正在发生的故事,讲述西藏在现代化的进程中,他们如何从传统中汲取智慧,利用所学,抓住时代机遇,实现人生梦想的故事。他们的故事正汇聚成一股潮流,寓示着西藏的未来。该片希望藉此向全球观众呈现一个丰富多元、具有强烈时代风貌的现代西藏,一个传统与现代正在交融的西藏,一个既古老又年轻、活力四射、富有想象力的西藏,让世人感受到世界最高的土地上当代中国人的生命高度和温度。